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Featured image for a blog post on Edward Said’s Orientalism: a split visual composition contrasting “East” and “West.” At the center is a portrait of Edward Said, resting his chin on his hand. The left side shows Middle Eastern imagery—mosque architecture, desert landscape, a robed figure, and a camel caravan at sunset. The right side shows Western symbols—Big Ben, an old world map, books, a quill, and eyeglasses. Warm golden tones blend into cooler sepia hues. The blog title Edward Said’s Orientalism appears prominently across the middle.

January 31, 2026/

Introduction Edward Said’s Orientalism begins with a striking idea: “The East is not a place on a map; it is an idea invented by the West.” This idea captures the heart of Said’s 1978 work. His book reshaped how readers understand power, culture, and representation. Before Said, scholars usually spoke of the East as part of “Colonial Literature.” His research transformed this view. He showed how Western writers, artists, and academics created the image of...

A photograph serving as a blog post feature image with the title Anton Chekhov's The Cherry Orchard in dark font at the top. Below the text, a group of seven people in late 19th-century period clothing stand on the porch and lawn of a rustic wooden house, looking out at a large orchard of cherry trees in full white blossom under an overcast sky. One man in the foreground holds a suitcase.

January 20, 2026/

Introduction Anton Chekhov’s The Cherry Orchard opens with a hauntingly familiar dilemma—imagine losing your family home because you were too sentimental to save it. Written on the brink of revolutionary change in Russia, the play captures a society mourning the loss of its old order. Composed between the 1905 and 1917 revolutions, it foreshadows the decline of the aristocracy and the rise of a new social class. Interestingly, Chekhov described this masterpiece as a comedy,...

A feature image for a blog post titled Dante Alighieri's Inferno in ornamental text at the top. A cloaked figure in a deep red robe stands under a stone archway, looking out into a fiery, rocky chasm with lava flows and dark formations, representing the underworld. In the bottom left corner, a glowing, detailed diagram of the funnel-shaped circles of Hell is clearly visible. The scene is dark and dramatic with warm, orange light from the fire.

January 14, 2026/

Introduction Dante Alighieri’s Inferno begins with one of the most haunting lines in world literature: “Abandon all hope, ye who enter here.” This chilling inscription welcomes readers into the gates of Hell, setting the tone for Dante’s journey through sin, punishment, and redemption. Written during his exile from Florence, Inferno is both a spiritual quest and a deeply personal work of political revenge. Dante does not hesitate to place his real-life enemies in Hell, using poetic...

A stylized illustration serving as a blog post feature image with the title Judith Butler’s Gender Performativity prominently displayed in large white letters at the top. The scene is set on a theatrical stage with red and blue curtains, where a spotlight shines on a figure in the center. The figure is dressed in a split costume, with a dark suit and tie on the left side and a flowing blue and pink dress with a scarf on the right, while also wearing a yellow construction helmet. They are holding a white mask to their face with one hand and another mask in their other hand. At their feet is a pile of open books and scrolls, some with text and symbols, illuminated by the spotlight. A silhouette of an audience is visible in the background, watching the performance. The entire illustration has a textured, digital art style.

January 13, 2026/

Introduction Judith Butler’s Gender Performativity challenges how we understand identity itself. As Simone de Beauvoir famously said, “One is not born, but rather becomes, a woman.” Butler takes this revolutionary idea even further—she argues that there is no fixed “being” behind the act of becoming. In her view, gender does not arise from some inner truth or natural essence. Instead, it is something we continuously do—a performance shaped by repeated actions, words, and social expectations. In...

An illustration titled THE FEMINIST APPROACH at the top in bold, black letters. Below the text, a diverse group of women in profile, rendered in purple and green tones, stand together with some raising their fists in solidarity. They are surrounded by symbolic elements including scales of justice and gears, against a bright yellow sunburst background. The illustration style is that of a comic book or graphic novel.

January 12, 2026/

Introduction The Feminist Approach: Is Jane Eyre a romantic heroine or a victim of a patriarchal society? This question has intrigued readers and critics for generations, sparking countless interpretations. Feminist criticism invites us to look beyond the surface of love and passion to uncover the deeper power structures shaping women’s lives within literature. The feminist approach is not about opposing men or dismissing traditional narratives—it is about analysing how gender, identity, and authority...

A digital feature image for a blog post titled Mythological and Archetypal Approaches in bold, elegant typography. The background features symbolic and artistic imagery evoking ancient mythology and literary archetypes, creating a classic and academic atmosphere.

January 9, 2026/

Introduction Mythological and Archetypal Approaches help us understand why we never tire of the same stories—whether it’s Harry Potter, Star Wars, or Greek myths. These tales may seem different on the surface, but they share universal patterns that speak to the human experience. Their power lies in repeating symbols and archetypes that reflect our deepest emotions and truths. In Wilfred L. Guerin’s chapter on this approach, the word “myth” doesn’t mean a “fake story”. Instead, it...

"A digital feature image for a blog post displaying the title The Play of Meanings, in prominent, elegant typography. The background features an artistic and conceptual design, using abstract elements or soft lighting to symbolize the depth and complexity of literary interpretation."

January 8, 2026/

Introduction The Play of Meanings lies at the centre of modern literary theory, capturing the shift from order to openness in how texts are read and understood. Wilfred L. Guerin’s A Handbook of Critical Approaches to Literature has long served as a standard textbook for exploring such shifts in interpretation. It introduces readers to the evolution of critical thought—from the structured logic of Structuralism to the self-questioning dynamics of Post-structuralism. Structuralism sought patterns, systems,...

A conceptual illustration for a blog post entitled Umberto Eco’s The Open Work. The image features an open book at the center, from which glowing, transparent panels filled with musical notes, architectural sketches, and abstract geometric shapes emerge and float outwards. Silhouetted figures surround the book, interacting with the floating panels: one holds a magnifying glass, another examines a panel closely, and others reach out to touch or rearrange the elements. The scene is rendered in warm gold, blue, and sepia tones, symbolizing the active, participatory nature of interpreting art and literature.

January 7, 2026/

Introduction Umberto Eco’s The Open Work is one of the most influential critical texts of the twentieth century, redefining how we understand the relationship between an artist, a text, and its audience. While many know Eco as the novelist behind The Name of the Rose, he was first and foremost a brilliant semiotician—a thinker deeply concerned with how meaning is created and shared. In classical art, the artist acts as a dictator, shaping every detail...

A composite feature image for a blog post titled SIGMUND FREUD'S PSYCHOANALYTIC THEORY displayed on a banner at the bottom. The central part of the image contains a portrait of Sigmund Freud superimposed over an iceberg diagram. The top of the iceberg above the water is labeled "CONSCIOUS", while the submerged, larger portion is labeled "UNCONSCIOUS" and also "ID, EGO, SUPEREGO". This central graphic is set against a backdrop of a vintage, wood-paneled study filled with tall bookshelves, a roll-top desk, and a leather armchair, creating an academic and historical feel.

January 2, 2026/

Introduction Sigmund Freud’s Psychoanalytic Theory helps us understand why characters in literature often behave irrationally. Why does Hamlet hesitate endlessly while Macbeth rushes into murder? Freud’s answer lies in the unconscious mind—a hidden space where suppressed emotions, desires, and fears shape human actions. Developed in the late 19th and early 20th centuries, Freud’s ideas forever changed the way we see the human psyche. He suggested that our conscious thoughts are only a small part...

A feature image for a blog post titled Miguel de Cervantes’ Don Quixote. The illustration captures the iconic imagery of the Spanish Golden Age, depicting the silhouette of the knight Don Quixote on his horse, lance in hand, facing giant windmills in the distance. The background features a warm, sunset-hued Spanish landscape, and the title text is displayed in a classic, adventurous serif typeface.

December 19, 2025/

Introduction Miguel de Cervantes’ Don Quixote stands as a towering achievement in world literature. It has inspired generations of readers, writers, and thinkers across continents and centuries. For students, scholars, and literature lovers in India and beyond, the story of the delusional knight remains timeless. His quest to tilt at windmills is as relevant today as it was in the early 1600s. At its heart, Don Quixote is more than a tale of madness and adventure....

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