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A feature image for a blog post with the title JULIA KRISTEVA'S INTERTEXTUALITY in large white and gold letters across the top. The central visual is a stylized portrait of Julia Kristeva surrounded by a glowing, interconnected web of words, diagrams, and smaller portraits of other intellectual figures. Below and around her are numerous open antique books and pages with old script, set against a background of blurred library shelves.

February 10, 2026/

Introduction “Everything is a remix.” Just think of your favourite hip-hop track—Drake sampling older soul hits, or memes like the Distracted Boyfriend that endlessly recycle classic tropes. Movies do it too: The Matrix borrows from Japanese anime and Plato’s cave. These aren’t copies; they’re fresh spins on the past. This everyday creativity mirrors Julia Kristeva’s intertextuality, a game-changing idea from 1960s literary theory. Julia Kristeva, the Bulgarian-French philosopher, coined intertextuality in her 1969 essay Word, Dialogue and Novel. Her bold...

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