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A digital illustration with the title Gilbert and Gubar's The Madwoman in the Attic in old English font at the top. The split scene shows a Victorian woman in a blue dress writing at a desk in a well-lit study on the left, while a woman in a white nightgown with disheveled hair looks out a moonlit window in a dark, barred attic on the right. A mirror behind the writing woman reflects a ghostly, distorted image of a figure, symbolizing the "madwoman."

February 12, 2026/

Introduction The Madwoman in the Attic: Why Society Labels Female Rage as Madness Think of the “crazy ex-girlfriend” trope in movies and memes. She’s furious, vengeful, unhinged—always the villain. Why do we slap the “crazy” label on angry women, from pop culture hysterics to literary outcasts? It reveals a deeper cultural reflex: silencing female fury by calling it insanity. Enter The Madwoman in the Attic, Sandra Gilbert and Susan Gubar’s groundbreaking 1979 feminist critique. This seminal text revolutionised literary...

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An abstract image representing deconstruction, featuring fragmented classical columns, scattered text, gears, and geometric shapes exploding outwards. The title JACQUES DERRIDA'S DECONSTRUCTION is at the top.

September 24, 2025/

Introduction “Jacques Derrida’s Deconstruction” occupies a seminal position in contemporary literary theory, philosophy, and cultural studies. Jacques Derrida, a pivotal figure in twentieth-century thought, irreversibly shaped academic discourse with his theory of deconstruction—a method for revealing the inherent instability in texts...

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