Browsing Category: World Literature

Introduction Franz Kafka’s The Trial stands as one of the most haunting and influential novels of the 20th century. From its very first line—Kafka pulls readers into a world where logic falters and justice becomes a shadowy, unreachable concept. This opening immediately sets the tone for a narrative that is both deeply unsettling and profoundly relevant. At its heart, The Trial is not just a story about a man caught in a legal nightmare. It...

Introduction Sophocles’ Antigone offers one of the most compelling journeys through Greek tragedy, where private conscience collides head‑on with public law. In this powerful play, the city of Thebes becomes a testing ground for questions that still trouble modern societies. For example, how far should citizens obey the state? Additionally, when, if ever, does an inner moral law override an official decree? Also, the readers who search for Sophocles’ Antigone seek a...

Introduction Seneca’s De Otio, usually translated as On Leisure, is a brief but provocative Stoic dialogue. It asks a very modern question: what should a wise person do with spare time in a noisy and demanding world? Written in first-century Rome, probably around the early 60s CE, the text survives in fragmentary form. Yet it still speaks powerfully to anyone caught between public responsibilities and the desire for a more reflective life....

Introduction Lionel Trilling’s “Freud and Literature” is a landmark essay. It shapes how we think about psychology and art. Written by the influential American critic, the essay offers a nuanced look at how Freud’s psychoanalytic theories intersect with literary creation and criticism. For students, teachers, and readers interested in literary theory, Trilling’s analysis is accessible yet profound. It opens the door to the complex world of Freudian thought and its lasting impact...

Introduction Abrams’ Orientation of Critical Theories is a foundational text that has shaped how generations of students and scholars approach literature. At its core, Abrams’ framework offers a simple yet powerful way to understand the diverse landscape of literary theory by mapping it onto four fundamental elements: the universe (the world), the work (the text), the artist (the author), and the audience (the reader).​ This approach is more than just a clever...

Introduction Longinus’ On the Sublime stands as one of the most influential works in the history of literary criticism. It offers a timeless exploration of what makes certain passages of literature truly unforgettable. At its heart, the treatise asks a simple yet profound question: why do some words, lines, and speeches have the power to lift us out of our ordinary selves, stir our souls, and leave us in awe? For students, teachers, and...

Introduction George Parfitt’s Renaissance challenges the traditional classroom narrative. The Renaissance is not simply a golden age of rebirth. It is not just about Europe rediscovering classical learning after medieval darkness. Parfitt urges readers to see the term differently. He sees it not as a fixed period. Instead, it is a dynamic, recurring tendency. This tendency shapes—and is shaped by—our cultural anxieties and aspirations.​ Parfitt’s approach is refreshing and necessary. It is...

Introduction Few political texts have sparked as much debate, controversy and enduring fascination as Niccolò Machiavelli’s The Prince. Written in 1513, Machiavelli’s The Prince broke away from the idealistic traditions of political philosophy. It offered a starkly realistic guide for rulers seeking to acquire and maintain power. The printed version did not appear until 1532, five years after Machiavelli’s death. He was a diplomat and political theorist from Florence. He drew on his own...

Introduction Terry Eagleton’s Literature and History stands as a landmark in Marxist literary criticism. It challenges readers to see literature not as an isolated art form, but as a reflection of social and historical realities. From the start, Eagleton dismantles the illusion that stories exist in a vacuum. He argues that every novel, poem, or play grows out of the material conditions and class struggles of its time.​ His work invites us...

INTRODUCTION Margaret Atwood’s Surfacing is a masterpiece of Canadian literature that unravels the tangled relationship between selfhood, nature, and cultural identity. First published in 1972, this novel sits at the intersection of feminism, ecology, and psychoanalysis. It is deeply introspective and disturbingly honest, exploring the emotional aftermath of trauma and the struggle of reclaiming identity in a patriarchal and colonised world.​ Set in the dense wilderness of northern Quebec, Surfacing follows an unnamed woman who...