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Featured image for a blog post on Edward Said’s Orientalism: a split visual composition contrasting “East” and “West.” At the center is a portrait of Edward Said, resting his chin on his hand. The left side shows Middle Eastern imagery—mosque architecture, desert landscape, a robed figure, and a camel caravan at sunset. The right side shows Western symbols—Big Ben, an old world map, books, a quill, and eyeglasses. Warm golden tones blend into cooler sepia hues. The blog title Edward Said’s Orientalism appears prominently across the middle.

January 31, 2026/

Introduction Edward Said’s Orientalism begins with a striking idea: “The East is not a place on a map; it is an idea invented by the West.” This idea captures the heart of Said’s 1978 work. His book reshaped how readers understand power, culture, and representation. Before Said, scholars usually spoke of the East as part of “Colonial Literature.” His research transformed this view. He showed how Western writers, artists, and academics created the image of the “Orient” to justify control over...

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A classical painting-style book cover for RESTORATION AND JACOBEAN AGE. The image is split into two panels. The upper panel depicts a group of Jacobean-era noblemen in rich attire, gathered around a desk with a globe and candles, one figure gesturing towards a document.

November 6, 2025/

INTRODUCTION The Jacobean Age (1603–1625) and the Restoration Age (1660–1700) are two monumental periods in English literature, each deeply shaped by the socio-political upheavals of their time and therefore leaving a lasting impact on the trajectory of English letters. Together, they frame a century of dramatic...

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